Spring 2007                101.002: History &Memory in South Asia             2523 Tolman

 

Prachi Deshpande

3223 Dwinelle Hall, 642-1102, pdeshpande@berkeley.edu

 

This is a seminar, geared towards producing a final research paper of 30-35 pages, due on April 25. We will examine the different kinds of history writing in South Asia, its relationship to modernity and the impact of British colonialism on narratives of history. We will investigate the political and social contexts that produce different kinds of narratives and the different pasts that are generated through them. The first few weeks we will read some contemporary scholarship on these narratives, and some seminal historical representations. The rest of the semester will be spent developing a paper prospectus (10% of final grade), class discussions and oral presentations (25%). All assignments listed below are designed to contribute to the writing and refinement of the final paper (65%). Paper topics, which will be chosen in consultation with the instructor, can range from examinations of the representations of specific episodes of history, such as the 1857 revolt or Partition; Hindu nationalist or Pakistani narratives; gender and history-writing; novels/films and historical representation, etc.

 

Class and writing schedule:

 

Week I:

Wed Jan 17: Intro to class: informal discussion of paper topics

 

Week 2:

Mon Jan 22: History and the nation, history and the community

Romila Thapar, Somanatha: Many Voices of a History (read whole)

Ayesha Jalal, “Conjuring Pakistan: History as Official Imagining” International Journal of Middle East Studies, 27, (1995), pp. 73-89.

http://www.tufts.edu/%7Eajalal01/Articles/conjuring.pdf

 

Wed Jan 24: Pre-Colonial historical narratives

Elliott and Dowson, “Introduction,” to The History of India as Told By its Own Historians: http://persian.packhum.org/persian/ 

(click on “Title List,” and then on “History of India…”, then on “Introduction,” then on “Elliott’s original preface)

Ian Raeside, ed. “The Bhausahebanchi bakhar,” sections (CP)

(write a one-paragraph critical summary on each of the four readings)

 

Week 3:

Mon Jan 29: Note-taking, critically reading secondary and different kinds of primary sources

Extracts from the journal “Indian education,” http://www.chaf.lib.latrobe.edu.au/dcd/page.php?title=ie&action=next&record=4526 (read till p. 301)

B.G. Tilak’s nationalist editorials, from Collected Works (CP)

Imperial Gazetteer on Karnal District:

http://dsal.uchicago.edu/reference/gazetteer/pager.html?objectid=DS405.1.I34_V15_054.gif (read until p. 59)

 

Wed Jan 31: Antoinette Burton, “House/Daughter/Nation: Interiority, Architecture, and Historical Imagination in Janaki Majumdar's "Family History"” The Journal of Asian Studies, Vol. 56, No. 4. (Nov., 1997), pp. 921-94 (CP)

Emily Eden, “Up the Country” sections (CP)

 

Week 4: No class; work on paper

 

Week 5:

Mon Feb 12 Submit prospectus

Present a one-page summary statement of your topic: the reasons for your choosing it; the puzzle you hope to solve through the paper; the historiographical context, and the sources you will be using. Include at least five secondary and three primary sources

Wed Feb 14. No class; work on paper

 

Week 6: No class; work on paper

 

Week 7:

Mon Feb 26 Meet individually with me to discuss progress

Wed Feb 28 Dissecting a primary source

Bring at least one crucial primary source to class, to discuss it in the context of your paper. Tell us how it will figure in your project.

 

Week 8: No class, work on paper, and BEGIN WRITING!!

 

Week 9:

Mon Mar 12 No class, work on paper

Wed Mar 14 Initial draft due

Hand in atleast 4-5 pages of the first draft; meet in class to discuss progress, problems, organization of research materials, etc.

 

Week 10: No class; work on paper

 

Week 12:

Mon Apr 2 No class, work on paper

Wed Apr 4 Oral Presentations

Detailed presentation for 15-20 mins, with main argument, historiographical discussion and sources

 

Week 13:

Mon Apr 9. Oral Presentations, and hand in penultimate draft of completed paper

Wed Apr 11 Individual meetings with me to discuss final revisions

 

Week 14: No class; continue working on paper

 

Week 15:

Mon Apr 23 No class, continue working on paper

Wed Apr 25 FINAL PAPER DUE